A year ago, I blogged.
I remember feeling that day, as I wrote, the desire to hone my HDR skills, and to grow as an artist, so I thought I’d look back and see what the year has brought.
I’ve spent quite a few hours studying the work of the great masters Jason St. Peter, Lincoln Palmer, EasyPix, the genius Andy Hornby and the HDR magician Louis Trocciola. I’ve made notes of their techniques, the way they frame their shots, and their subject matter. I’ve exchanged emails with them, chatted, and picked their brains on the subject. I’ve learned little bits from all of them and added them into my skills. I bought what I consider to be the best HDR program on the market, Dynamic HDR by Mediachance, which in my opinion blows Photomatix out of the water. Coupled with Lightroom (which is the rock that my photography software is built on) and Photoshop, I’ve created a strong arsenal of HDR tools. My Nikon D90, which ironically, I prefer without the bracketing feature, delivers the images I take with unmatched clarity and color.
But there’s still something needed for a perfect HDR shot. I wish I could tell you what it is, but part of me feels that I’m still searching for it. Sure, I see it occasionally. The way a tree looks next to the path in the snow, or the way another path disappears into the autumn trees. A ship sitting in a river, docked along side a pier, my kids playing in the church steps or Rob delivering a power chord as he jams along with The Midnite All-Stars. I can’t even describe what it is a see, but as occasionally, when I look through my lens, I see the world in layers of light and color.
It doesn’t always work, and sometimes I make some pretty crappy HDRs, and those never see the light of day, my ratio is getting better and better.
That’s what I’ve done in the past year, lets see what happens in the next one…
Here are some of my favorite HDRs from the past 365 days…